![]() ![]() But altogether it's about three to four months, I would say. I kinda jump around a bit, so it's hard to narrow it down per episode, also because some episodes have more music than others. I get multiple episodes at a time, and then I have a couple of weeks for each, and I work on them at the same time. McIntyre: How long does it take you to create the music for every episode in every season?ĭjawadi: Altogether I want to say about three to four months, I think. I did another project, but it moved forward from there, and then once we really got going, just by the time we really had something running altogether, it was three years. Not all of that was constantly working on the tour, but it's like I mentioned, it started with a little idea months ago, and it was brought up again after a few weeks and we talked about it. How long did it take from, "Hey, we should do a concert" to actually launching it?ĭjawadi: It was about three years, and that’s a long time. McIntyre: You just mentioned it took months and months. The show is so special, so we just wanted to give the fans a very special experience. We decided to create something unique, something special. ![]() ![]() We were in the studio doing one of my music playbacks with David and Dan, and they said, "You know what, We want to hear this music live, you should put on a concert." So it started with a little idea of putting on one concert and then I said, "You know what, why don't we try to do something different and something new and something that's never been done before." And then just by brainstorming over months and months, it turned into what it is now. So how did the idea of a Game of Thrones orchestral concert tour come up?ĭjawadi: It happened just in the studio, I guess, and during small talk. The idea makes sense when you think about it, but it's not the first brand extension I would have thought of. McIntyre: I have to say, I was surprised when this tour was announced. The Emmy-nominated composer and his team have gone out of their way to not only rehearse and put on a stellar musical performance, but to do their best to bring audience members into the world created by HBO and George R. (Photo by Kevin Winter/Getty Images for Live nation Entertainment )Īs Game Of Thrones fans gear up for the seventh season of the fantasy staple to launch at some point in mid-2017, the world of all things GOT continues to expand, this time with an extension that few would have predicted when the show launched back in 2011. Ramin Djawadi, the man behind the ominous, dramatic scores that have backed all of the half dozen seasons that have aired is taking his show on the road, and from what he says, this isn't going to be any old concert. Thrones® Live Concert Experience featuring composer Ramin Djawadi at the Hollywood Palladium on August 8, 2016, in Los Angeles, California. Emily Carey and Olivia Cooke play younger and older Alicent, respectively.LOS ANGELES, CA - AUGUST 08: A full orchestra performs during the announcement of the Game of. The matter is fueled by the falling out of Rhaenyra's friendship with Alicent Hightower, the daughter of the Hand of the King. House of the Dragon stars Milly Alcock and Emma D'Arcy as Princess Rhaenyra Targaryen at two stages of her life Alcock plays her as a teen when her father, King Viserys I ( Paddy Considine), names her his sole heir to the Iron Throne, and D'Arcy plays her later in life when that claim is called into question because of her gender. It just has that vibe again, and so I wanted to make sure that, with the score, we have that familiarity but also bring some new instruments we haven't used before." "When I watched it for the first time, I felt immediately at home in Westeros again. I think what I love so much about this new show is that it's different but at the same time it feels like home," he says. "I looked at it as, we have a ton of new characters, it's obviously a completely different time, and that's why we need some new themes. That historical setting alone affected Djawadi's approach. ![]()
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